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The Specialty About Working With Sivakarthikeyan Is His Kids-Conscious Nature - Anl Arasu
Updated on : 12 September 2018

Proving to be a Pan-Indian Action icon with his bombastic stunt choreographies, Anl Arasu has become a well celebrated and favourite of country’s biggest superstars. From God’s own country to the shores of Marine Drive in Bollywood, he has captured everyone’s interest through his mind-boggling stunts. But he has something special to say about our ‘Seemaraja ’ Sivakarthikeyan, which he finds it distinctively unique. “Yes, the specialty about working with Sivakarthikeyan is his Kids-conscious nature,” starts off Anl Arasu, who has already worked with him in Remo. “Be it Remo or Seemaraja, it was completely different experience when compared to other movies. While many heroes would prefer going for dashing stunts with violence and bloodsheds, Sivakarthikeyan prefers keeping kids and family audience in minds. This doesn’t mean that he goes for lighter strokes, but exerts an impeccable effort in performing risky stunts without any dupes. This isn’t going to be a mere namesake statement from my end, but you would witness it all by yourselves on the big screens. Yet another impressive trait about Sivakarthikeyan is that he ensures that our stunt men aren’t hurt by him accidently. There have been times, when our team men would ask him to give the terrific blows and hits without any hesitation, but then, he would make sure that nothing goes wrong.”



While sharing his words upon Seemaraja, he says, “The film itself holds a premise of entertainment, which had its own challenge of choreographing stunts. Moreover, with the rising star value of Sivakarthikeyan, I had to compose them with mass elements and at the same time balance them accordingly with not too violent elements.” 



Seemaraja is produced by RD Raja for 24AM STUDIOS and is directed by Ponram. With a star-spangled presence of Sivakarthikeyan, Samantha, Napoleon, Simran, Soori, Lal and many more, the film gets ready for release on September 13.

 

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